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Autumn landscape with shepherds

Autumn landscape with shepherds

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Autumn landscape

Autumn landscape

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Port of Gdansk

Port of Gdansk

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Harbor

Harbor

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Spring in Istria

Spring in Istria

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The brushwood collector

The brushwood collector

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Copper Mine

Copper Mine

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Boats in a canal

Boats in a canal

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Waidhofen an der Ybbs in winter

Waidhofen an der Ybbs in winter

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Dreamy lady in the monastery garden

Dreamy lady in the monastery garden

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Winter sunset near St. Cloud

Winter sunset near St. Cloud

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Sunflowers in the front garden

Sunflowers in the front garden

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Mill in the autumn forest

Mill in the autumn forest

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Motif of Flensburg

Motif of Flensburg

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Coastal landscape with sailing ships

Coastal landscape with sailing ships

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In the forest of Fontainebleau

In the forest of Fontainebleau

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Sheep at the drinking trough

Sheep at the drinking trough

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Winter river landscape

Winter river landscape

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Wetland Landscape in Vienna

Wetland Landscape in Vienna

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Willows on the lakeshore

Willows on the lakeshore

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Forest landscape with horse-drawn carriage

Forest landscape with horse-drawn carriage

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Forest landscape

Forest landscape

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Under blossoming trees

Under blossoming trees

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Street scene in Bruges

Street scene in Bruges

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Kunstdrucke von Adolf Kaufmann

Collection: Art prints by Adolf Kaufmann

Adolf Kaufmann is a painter whose name is rarely mentioned today, even in the Austrian art world - and yet, on closer inspection, his work leaves the impression of an artist who had a firm command of his medium and had something of his own to say within the boundaries of his time.

Born in 1848 in Troppau, today's Opava in the Czech Republic, Kaufmann received his artistic training at the Vienna Academy of Fine Arts, where he grew up in that formative phase of Austrian artistic life that was characterized by the blossoming of atmospheric impressionism and the gradual replacement of academic conventions. However, the decisive influences on his painting came less from the academy than from his direct involvement with the Dutch and Austrian landscape tradition and the work of those artists who, like Emil Jakob Schindler, had steered Austrian landscape painting in the direction of a mood-emphasizing, atmospherically condensed depiction of nature.

What most strongly characterizes Kaufmann's work is a pronounced versatility of motifs, which distinguishes him from many of his contemporaries with a narrower thematic focus. Winter landscapes with icy waters and snow-covered shores, summer river landscapes in lush green, forest interiors in autumnal light, village views and rural genre scenes - all of these can be found side by side in his work, linked by a consistent painterly approach that always places the moody and atmospheric above the documentary. His winter paintings in particular enjoyed great popularity and show him at his strongest: In them, coloristic restraint, a fine feel for the effects of light on snow and ice and a narrative warmth combine to create pictures of genuine, albeit modest, quality.

Stylistically, Kaufmann moves safely in the waters of Central European Mood Impressionism, without ever drawing its more radical consequences. His execution is meticulous and technically solid, his color palette warm and harmonious, his brushwork routine and pleasing. What his paintings occasionally lack is that final sharpness of personal signature that distinguishes great art from proficient painting - but within his self-imposed limits he works with a consistency and reliability that gives his works a pleasant, coherent quality.

During his lifetime, Kaufmann was present in the Viennese and Central European art trade and apparently found enough buyers for his paintings to lead a productive artistic life. However, major exhibition successes and critical acclaim eluded him, as did a permanent place in art-historical memory. Today, Adolf Kaufmann is valued above all by collectors of Austrian and Central European painting of the late 19th century, who find in his work that solid, atmospherically appealing quality that distinguishes good craftsmen from mere routiners - a quiet, reliable painter whose pictures tell us more about their time than their modest fame would suggest.