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Farewell to the apostles Peter and Paul before their martyrdom

Farewell to the apostles Peter and Paul before their martyrdom

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Allegory of the education of a cavalier

Allegory of the education of a cavalier

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Allegory of the world mission of the Jesuit order

Allegory of the world mission of the Jesuit order

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Allegory of a prize distribution at the Vienna Academy under Wenzel Anton Prince Kaunitz-Rietberg

Allegory of a prize distribution at the Vienna Academy under Wenzel Anton Prince Kaunitz-Rietberg

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Allegory of Galicia and Lodomeria

Allegory of Galicia and Lodomeria

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Allegorical scene

Allegorical scene

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Christ in Emmaus

Christ in Emmaus

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Christ and the centurion of Capernaum

Christ and the centurion of Capernaum

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The Bath of Diana

The Bath of Diana

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The martyrdom of St. Andrew

The martyrdom of St. Andrew

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The judgment of Solomon

The judgment of Solomon

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The academy with its attributes at Minerva's feet

The academy with its attributes at Minerva's feet

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The blinding of Samson

The blinding of Samson

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The offering of Jesus in the temple

The offering of Jesus in the temple

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The beheading of John the Baptist

The beheading of John the Baptist

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The capture of St. John of Nepomuk

The capture of St. John of Nepomuk

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Divine providence and virtues

Divine providence and virtues

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The holy clan

The holy clan

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The cross erection

The cross erection

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The Marriage of Mary

The Marriage of Mary

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Esther and Hatach

Esther and Hatach

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Riding commander

Riding commander

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Victory of St. James of Compostela over the Saracens in the Battle of Clavijo

Victory of St. James of Compostela over the Saracens in the Battle of Clavijo

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Susanna before the judges

Susanna before the judges

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Kunstdrucke von Franz Anton Maulbertsch

Collection: Art prints by Franz Anton Maulbertsch

Franz Anton Maulbertsch was an Austrian painter and graphic artist who is considered one of the most important representatives of Central European late Baroque and Rococo. He came from a humble background in Langenargen on Lake Constance and showed exceptional artistic talent at an early age. From 1739, Maulbertsch studied at the Vienna Academy of Fine Arts, where he intensively studied Baroque ceiling and fresco painting and was inspired by models such as Paul Troger and the great Venetian masters.

In his early works, Maulbertsch devoted himself primarily to religious and mythological themes and created large-format frescoes for churches and monasteries throughout the Habsburg lands. These expressive and lively compositions initially met with mixed reactions, as they were considered unusually bold and exuberantly colorful. However, as he matured and his reputation grew, Maulbertsch developed an unmistakable personal style in which blazing colors, dramatic lighting effects and an almost ecstatic figure dynamic took center stage.

A central feature of Maulbertsch's work remained the illusionistic spatial design, in particular the dissolution of ceilings and vaults into seemingly boundless celestial spaces. His frescoes in the Piarist Church in Vienna and the extensive paintings in monasteries such as Heiligenkreuz-Gutenbrunn and Kroměříž in Moravia are famous. These works demonstrate his masterful ability to merge architecture, figure and light into a captivating, almost theatrical unity.

In addition to his work as a fresco painter, Maulbertsch was also a formative figure in Central European artistic life as a creator of altarpieces and small-format oil sketches. He was a member of the Vienna Academy and eventually rose to become its professor, exerting a decisive influence on an entire generation of artists. Although his late Baroque style was increasingly regarded as outdated with the rise of Classicism, his work underwent an impressive reappraisal in the 20th century. Today, Franz Anton Maulbertsch is regarded as the pinnacle and last great representative of Baroque ceiling painting in Central Europe, and his works are represented in important museums and highly valued by connoisseurs.