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Landscape with hermit

Landscape with hermit

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Märkische winter landscape with a group of pine trees

Märkische winter landscape with a group of pine trees

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Sandweg 1828

Sandweg 1828

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Construction of the Devil's Bridge

Construction of the Devil's Bridge

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Bay of Rapallo

Bay of Rapallo

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The Roman Forum

The Roman Forum

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The interior of the Palm House on Peacock Island near Potsdam

The interior of the Palm House on Peacock Island near Potsdam

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The shattered tower of Heidelberg Castle

The shattered tower of Heidelberg Castle

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Rocky landscape with monk

Rocky landscape with monk

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Gallows Hill

Gallows Hill

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Ideal mountain landscape

Ideal mountain landscape

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In the park of Villa Borghese

In the park of Villa Borghese

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Italian coastal landscape with seated woman

Italian coastal landscape with seated woman

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Italian landscape

Italian landscape

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Italian monastery building on the waterfront

Italian monastery building on the waterfront

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Monk on the terrace

Monk on the terrace

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Afternoon on Capri

Afternoon on Capri

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Knight's castle at the Tannenweiher

Knight's castle at the Tannenweiher

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Gorge near Amalfi

Gorge near Amalfi

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Spinners in Cervara

Spinners in Cervara

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Storms in the Roman Campagna

Storms in the Roman Campagna

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Viaduct of Atrano

Viaduct of Atrano

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Early spring

Early spring

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Forest path in the Harz Mountains

Forest path in the Harz Mountains

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Kunstdrucke von Carl Blechen

Collection: Art prints by Carl Blechen

Carl Blechen was a German painter of the early 19th century who is regarded as one of the most important and idiosyncratic landscape painters of German Romanticism. He received his artistic training at the Berlin Academy and initially oriented himself towards the Romantic landscape tradition, in particular Caspar David Friedrich. However, he received decisive impulses from his trip to Italy from 1828-1829, which permanently changed his style and made him a forerunner of German realism and even impressionism.

Blechen devoted himself primarily to forest landscapes, Italian landscapes and views of industrial plants. His pictures often show dramatic effects of light and shadow, dense vegetation and an unusual immediacy in the depiction of nature. His studies from Italy, in which he captured the light, warmth and atmosphere of the south with a loose hand and bold brushstrokes, and his depictions of the rolling mill in Eberswalde, which are among the earliest examples of industrial motifs in German painting, became particularly well known.

Stylistically, Blechen's works are characterized by a painterly freedom, often sketchy execution and an intense, sometimes dramatically exaggerated use of colour. He combined a romantic feeling for nature with a direct, almost modern gift for observation. The immediacy and gestural brushwork of his oil sketches and studies in particular are far ahead of late 19th century painting.

Although Carl Blechen was recognized during his lifetime and became a professor at the Berlin Academy, he suffered from severe mental illness in his later years, which forced him to give up his artistic activities and led to his early death. Today he is regarded as a key figure in German landscape painting between Romanticism and Realism, whose works are highly valued in museums and on the art market for their painterly boldness, atmospheric density and astonishing modernity.