Skip to content

6 products

Slumbering woman

Slumbering woman

Regular price From 9,95 €
Sale price Regular price
Learning to ask, the Reiter family

Learning to ask, the Reiter family

Regular price From 9,95 €
Sale price Regular price
Gentleman in blue skirt and white vest

Gentleman in blue skirt and white vest

Regular price From 9,95 €
Sale price Regular price
Reading boy

Reading boy

Regular price From 9,95 €
Sale price Regular price
Lexi with the grapes

Lexi with the grapes

Regular price From 9,95 €
Sale price Regular price
Sitting woman in a farmer's kitchen

Sitting woman in a farmer's kitchen

Regular price From 9,95 €
Sale price Regular price
Kunstdrucke von Johann Baptist Reiter

Collection: Art prints by Johann Baptist Reiter

Johann Baptist Reiter was an Austrian painter of the 19th century who is best known for his depictions of simple, often precarious everyday life. Like Johann Michael Neder, Reiter was one of those artists who worked outside the official success stories of the Biedermeier period and whose work received little attention for a long time. His paintings depict the lives of ordinary people with great directness and without embellishment.

Reiter was born in Linz in 1813 and moved to Vienna at an early age, where he studied at the Academy of Fine Arts. Despite this education, his social and economic situation remained uncertain throughout his life. He was on the fringes of the established art scene and only had limited access to wealthy patrons. These biographical circumstances are clearly reflected in his pictorial themes, which often depict the lives of the poorer urban population.

The focus of Reiter's work is on everyday scenes from cramped living spaces, inns or simple working environments. His figures often appear heavy, exhausted or introverted. Children, the elderly and the sick appear just as much as craftsmen or simple workers. Reiter avoids any idealization: postures are awkward, faces are rough and little embellished. This creates a great closeness to the people depicted.

Stylistically, Reiter's pictures are simple and restrained. The compositions are clear, the spaces are usually confined, the color palette muted. Light is used functionally to make forms visible, not to create an idyllic atmosphere. His painting style appears sober and matter-of-fact, at times almost raw. In comparison to the pleasing Biedermeier painting, there is a deliberate lack of harmony and decorative elegance.

During his lifetime, Johann Baptist Reiter went largely unnoticed. His works did not correspond to the bourgeois ideal of order, comfort and moral edification. It was only later in art history that it was recognized that his paintings represented an important alternative to idealized genre painting. Reiter died in Vienna in 1890 without having received any major recognition.

Today, Johann Baptist Reiter is regarded as an important representative of a realistic, socially aware view within 19th century Austrian painting. His works convey an undisguised impression of the lives of people who were barely visible in art for a long time. It is precisely their openness, clarity and discomfort that make them particularly impressive and comprehensible for today's viewers.