Skip to content

54 products

In the forest of Fontainebleau

In the forest of Fontainebleau

Regular price From 19,95 €
Sale price Regular price
Shepherd with flock of sheep

Shepherd with flock of sheep

Regular price From 19,95 €
Sale price Regular price
River landscape

River landscape

Regular price From 19,95 €
Sale price Regular price
Flock of Sheep with Shepherdess on a rainy Day

Flock of Sheep with Shepherdess on a rainy Day

Regular price From 19,95 €
Sale price Regular price
Steamship and fishermen on the high seas

Steamship and fishermen on the high seas

Regular price From 19,95 €
Sale price Regular price
Autumn Morning

Autumn Morning

Regular price From 19,95 €
Sale price Regular price
Kunstdrucke von Adolf Kaufmann

Collection: Art prints by Adolf Kaufmann

Adolf Kaufmann is a painter whose name is rarely mentioned today, even in the Austrian art world - and yet, on closer inspection, his work leaves the impression of an artist who had a firm command of his medium and had something of his own to say within the boundaries of his time.

Born in 1848 in Troppau, today's Opava in the Czech Republic, Kaufmann received his artistic training at the Vienna Academy of Fine Arts, where he grew up in that formative phase of Austrian artistic life that was characterized by the blossoming of atmospheric impressionism and the gradual replacement of academic conventions. However, the decisive influences on his painting came less from the academy than from his direct involvement with the Dutch and Austrian landscape tradition and the work of those artists who, like Emil Jakob Schindler, had steered Austrian landscape painting in the direction of a mood-emphasizing, atmospherically condensed depiction of nature.

What most strongly characterizes Kaufmann's work is a pronounced versatility of motifs, which distinguishes him from many of his contemporaries with a narrower thematic focus. Winter landscapes with icy waters and snow-covered shores, summer river landscapes in lush green, forest interiors in autumnal light, village views and rural genre scenes - all of these can be found side by side in his work, linked by a consistent painterly approach that always places the moody and atmospheric above the documentary. His winter paintings in particular enjoyed great popularity and show him at his strongest: In them, coloristic restraint, a fine feel for the effects of light on snow and ice and a narrative warmth combine to create pictures of genuine, albeit modest, quality.

Stylistically, Kaufmann moves safely in the waters of Central European Mood Impressionism, without ever drawing its more radical consequences. His execution is meticulous and technically solid, his color palette warm and harmonious, his brushwork routine and pleasing. What his paintings occasionally lack is that final sharpness of personal signature that distinguishes great art from proficient painting - but within his self-imposed limits he works with a consistency and reliability that gives his works a pleasant, coherent quality.

During his lifetime, Kaufmann was present in the Viennese and Central European art trade and apparently found enough buyers for his paintings to lead a productive artistic life. However, major exhibition successes and critical acclaim eluded him, as did a permanent place in art-historical memory. Today, Adolf Kaufmann is valued above all by collectors of Austrian and Central European painting of the late 19th century, who find in his work that solid, atmospherically appealing quality that distinguishes good craftsmen from mere routiners - a quiet, reliable painter whose pictures tell us more about their time than their modest fame would suggest.