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Repose at Noonday

Repose at Noonday

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Buzzer

Buzzer

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Sunbath

Sunbath

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Sun Spots

Sun Spots

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The Garden Path

The Garden Path

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Nude

Nude

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The White Gown

The White Gown

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Woman Seated in a Garden

Woman Seated in a Garden

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Woman Seated on Sofa in Interior

Woman Seated on Sofa in Interior

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Youth

Youth

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After the Bath

After the Bath

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Bal-Bullier, Paris

Bal-Bullier, Paris

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Cows at Noon

Cows at Noon

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En Promenade

En Promenade

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Girl at Writing Desk

Girl at Writing Desk

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Hollyhocks

Hollyhocks

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In the Boudoir

In the Boudoir

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Leading the Sheep

Leading the Sheep

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Kunstdrucke von Frederick Carl Frieseke

Collection: Art prints by Frederick Carl Frieseke

Frederick Carl Frieseke was an American painter and one of the most important representatives of American Impressionism. He came from the Midwest of the USA and began his artistic training at the Art Institute of Chicago before moving to Paris in 1897. There he continued his studies at the Académie Julian and came into intensive contact with French painting, which had a decisive influence on his further development.

Frieseke settled permanently in France, particularly in the artists' colony of Giverny, where he lived and worked in close proximity to Claude Monet. Unlike many of his contemporaries, he concentrated less on landscapes and more on figurative depictions, often female nudes and interiors. His preferred motifs were light-flooded rooms, gardens and terraces, in which figure and surroundings merge harmoniously.

Characteristic of Frieseke's painting is the decorative use of color, pattern and light. He combined Impressionist concepts of light with two-dimensional compositions and influences of Post-Impressionism. In particular, the play of sunlight and shadow falling through windows or foliage became a central design element in his work.

Frieseke achieved great recognition during his lifetime and exhibited successfully in Europe and the USA. His works received numerous awards, including at international art exhibitions. Today, Frederick Carl Frieseke is regarded as an important mediator between French modernism and American painting.