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Landscape

Landscape

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Landscape

Landscape

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Landscape

Landscape

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Cattle In The Storm

Cattle In The Storm

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Landscape Study

Landscape Study

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Landscape With Cattle

Landscape With Cattle

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Landscape Sunset

Landscape Sunset

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Light Triumphant

Light Triumphant

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Medway Massachusetts

Medway Massachusetts

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Montclair New Jersey

Montclair New Jersey

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Moonlight In The Virginia

Moonlight In The Virginia

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Moonlight Tarpon Springs

Moonlight Tarpon Springs

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Moonrise

Moonrise

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Near Leeds New York

Near Leeds New York

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Near The Village

Near The Village

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Niagara

Niagara

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Niagara Falls

Niagara Falls

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October

October

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Olives Albano Italy

Olives Albano Italy

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On The Delaware River

On The Delaware River

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Palisades On The Hudson

Palisades On The Hudson

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Peace And Plenty

Peace And Plenty

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Picnic In The Woods

Picnic In The Woods

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Pine Grove

Pine Grove

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Kunstdrucke von George Inness

Collection: Art prints by George Inness

George Inness was an American painter of the 19th century who is considered one of the most profound and idiosyncratic landscape painters of his generation and whose work underwent a remarkable inner development from romantic depictions of nature to lyrical, spiritually charged atmospheric landscapes. He was largely self-taught in his artistic training, but was decisively influenced by several trips to Europe, in particular by his encounter with the Barbizon School, whose direct, atmospheric observation of nature had a lasting influence on his painterly thinking and moved him away from the panoramic tradition of the Hudson River School.

Inness devoted himself primarily to landscapes of the American East, Italian landscapes and pastoral scenes of rural New Jersey, where he lived and worked for many years. His paintings often depict vast, open landscapes under cloudy skies or skies flooded with warm evening light, in which trees, fields, rivers and villages merge into a unified, breathing pictorial mood. He paid particular attention to the transitional moments of the day, the evening light, the mist of the early morning and the soft transitions between light and dark, which lend his pictures a meditative, sometimes dreamlike quality.

Stylistically, Inness underwent a clear transformation from an initially precise, detailed execution to an increasingly freer, more blurred brushstroke and a muted, tonally balanced color palette. In his later works, contours dissolve, forms merge with the atmosphere and the landscape becomes the carrier of an inner, spiritual experience. This development was closely linked to his turn to Swedenborgian theosophy, whose idea of an animated nature imbued with divine light was directly reflected in his mature painting.

George Inness was recognized and successful during his lifetime, but was not always fully understood by the art critics of his time, as his work could not be clearly assigned to either the romantic tradition of the Hudson River School or the emerging American realism. Today he is considered a key figure in American landscape painting, whose works are highly valued in major American museums for their painterly freedom, their spiritual depth and their astonishing anticipation of Impressionist and Symbolist pictorial ideas, and are increasingly being re-evaluated by art historians.