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Oriental Scenery Part 5 Fig 12

Oriental Scenery Part 5 Fig 12

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Oriental Scenery Part 5 Fig 11

Oriental Scenery Part 5 Fig 11

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Oriental Scenery Part 5 Fig 9

Oriental Scenery Part 5 Fig 9

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Oriental Scenery Part 5 Fig 8

Oriental Scenery Part 5 Fig 8

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Oriental Scenery Part 5 Fig 7

Oriental Scenery Part 5 Fig 7

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Oriental Scenery Part 5 Fig 6

Oriental Scenery Part 5 Fig 6

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Oriental Scenery Part 5 Fig 5

Oriental Scenery Part 5 Fig 5

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Oriental Scenery Part 5 Fig 4

Oriental Scenery Part 5 Fig 4

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Oriental Scenery Part 5 Fig 3

Oriental Scenery Part 5 Fig 3

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Oriental Scenery Fig 10

Oriental Scenery Fig 10

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Oriental Scenery Fig 7

Oriental Scenery Fig 7

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Oriental Scenery Fig 6

Oriental Scenery Fig 6

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Oriental Scenery Fig 3

Oriental Scenery Fig 3

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Off Madeira

Off Madeira

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Mausoleum of Makhdum Shah Daulat

Mausoleum of Makhdum Shah Daulat

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Mausoleum in Khusrau Bagh

Mausoleum in Khusrau Bagh

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Madeira

Madeira

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Landscape with fort Rohtasgarh

Landscape with fort Rohtasgarh

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Landscape at Rohtasgarh, Bihar

Landscape at Rohtasgarh, Bihar

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Jantar Mantar observatory

Jantar Mantar observatory

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Jami Masjid, Delhi

Jami Masjid, Delhi

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Jami Masjid, Delhi

Jami Masjid, Delhi

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Interior of a Hindu temple

Interior of a Hindu temple

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Mosque of Abo-ul-Nabi, Muttra

Mosque of Abo-ul-Nabi, Muttra

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Kunstdrucke von Thomas Daniell

Collection: Art prints by Thomas Daniell

Thomas Daniell was a British landscape painter and graphic artist of the late 18th and early 19th century who became known primarily for his depictions of India. Together with his nephew William Daniell, he shaped the European image of the Indian subcontinent at a time when direct observation was hardly possible for most viewers.

Daniell was born in Chertsey in 1749 and received his artistic training in England, including at the Royal Academy. In the 1780s, he traveled to India with William Daniell, where they both spent several years and produced a large number of drawings and watercolors. These works later served as the basis for the extensive print project Oriental Scenery, which was widely distributed in Europe.

Daniell's work focuses on landscapes, architecture and cityscapes. Temples, palaces, river landscapes and gardens are depicted with great care and clear structure. The pictures combine topographical accuracy with a calm, idealizing view of nature and architecture. People usually appear only incidentally and serve primarily to enliven and add scale.

Stylistically, Daniell's works are characterized by a balanced composition and restrained use of colour. Dramatic effects recede into the background in favor of clarity and lucidity. The aim was less personal expressiveness than a comprehensible and appealing depiction of foreign places for a European audience.

Thomas Daniell died in London in 1840. Today, his works are regarded as important testimonies to colonial image production. They convey not only artistic quality, but also an insight into the way Europe perceived and depicted India - calm, orderly and from a distanced, observational perspective.